This lecture is the Mixolydian scale which is one of the Church mode.
Mixolydian scale is the Major scale with a lowered 7th. That means leading-tone is lost.
C | D | E | F | G | A | B | ||||||
C Mixolydian scale | ♪ | ♪ | ♪ | ♪ | ♪ | ♪ | ♪ | |||||
C Major scale | ♪ | ♪ | ♪ | ♪ | ♪ | ♪ | ♪ |
Mixolydian scale has the following triads and 7th chords.
Triad | C | Dm | Em(b5) | F | Gm | Am | Bb |
---|---|---|---|---|---|---|---|
Degree Names | I | IIm | IIIm(b5) | IV | Vm | VIm | bVII |
7th Chord | C7 | Dm7 | Em7(b5) | FM7 | Gm7 | Am7 | BbM7 |
---|---|---|---|---|---|---|---|
Degree Names | IM7 | IIm7 | IIIm7(b5) | IVM7 | Vm7 | VIm7 | bVIIM7 |
Let's listen to the sample song using the Mixolydian scale.
I cherish the feeling, so the sample song on the pages of scale lectures are made roughly. Beacuse of lack of the leading-tone, as I mentioned above, the cadence which is formed by mixolydian has little power.